The power of imagination, “vis imaginativa,” provides the link between a philosophy of magic and psychoanalysis.
Dunbar proposed the limit of meaningful friendships is “150”—a far cry from our Facebook and Instagram network connections—but maybe it’s more complicated than that.
But the dark truth conveyed in the character of Barb finds its counterbalance in the incredible creative power that Stranger Things attributes to the Cosmic Child, a power which is also present in each of us.
Beneath the conceptual overlay, reality remains what it is: not an orderly network of humanly comestible ideas, but a turbid, ever-changing, symphonic, indefinable process of becoming that is accountable to neither the predilections of reason nor the strictures of logical grammar.
The show remains open, ambiguous to the end, and it is this quality that raises it above the normal run of generic entertainment to make of it something that defies genre, something genuinely weird.
This mix is all about the acclaimed Netflix series Stranger Things, and features J.F. Martel’s essay REALITY IS ANALOG, Phip plus the inaugural episode of Jeremy Johnson’s Electric Symposium podcast. Enjoy!
This notion about our origins is the essential idea with which psychoanalysis grapples. Thought of in this way, psychoanalysis is nothing other than the meta-theorization of occult ideas.
We are the robots. Or rather, we are like people who allow their servants to do everything for them, and subsequently feel they have lost touch with life, but don’t know exactly why.
I felt it fitting to choose to stay at home alone and “rent” the movie right away. As the pixels on my laptop flickered with Herzog’s visions, I reveled in the juxtaposition of my solitude while consuming this film whose subtitle espouses connection….
I came to see in Green Eggs and Ham a very sophisticated theology of incarnational nondual spirituality.
What comes after Facebook? How can we reimagine our social networks for a planetary digital democracy of the future?
“The purpose of this essay in response to Dierkes is this: I would like to add the element of human evolution—a Human Evolution that is also participated in by the Divine, and led and guided by the Divine—to the instruction and guidance that Dierkes has given us.”
Understanding the folk beliefs of Faeries can give us insight into how humans understand our own liminal state between the animal and the angel, which, in essence, is what a Faerie is.
On the one year anniversary of the Fourth International Integral Theory Conference, I reflect on what “integral” means to me now—and what I think lies beyond integral, meta and otherwise.
What can art tell us about the nature of consciousness? Or maybe the question is better framed in McLuhanian terms: What is the message of the medium of art with regard to the nature of consciousness?
On second glance I find it very odd indeed that we should have this reading at so many weddings when after all this passage is about esoteric paranormal phenomenon.
We believe culture is consciousness, and consciousness is world, and so to participate as a media platform, we see ourselves as agents of enactive culture-making. Social poetics.
The neon tribes of the digital age are seeking alternative spiritual streams, and yet the search for ecstatic highs within the inner landscape are fraught with frauds and superficial vendors. The marketplace has never been as full as it is now, nor as diverse and tantalizing.
It was a sunny Saturday afternoon when I found myself walking through the main street of a busy business district and noticed a large billboard ahead of me featuring a woman in a glittering black bikini and a sign that read: Non-stop adult entertainmen …