Category: Reviews

Combining instrumental virtuosity, compositional complexity, and lyrical depth, Tool’s Fear Inoculum deserves not just a listen, but repeated listenings.

A quietly provocative story about a cellist who leaves the musical profession and finds a job preparing dead bodies for burial.

Appealing and fast-paced, this novel set in 1950s Mexico is a classic tale of an attractive young woman marrying into family with sinister secrets, who finds her choices taken away, and her life and sanity under threat. True to the gothic genre, the cr …

Insightful stories peel back the secrets within families, but the dazzling moment comes as you pass the midpoint of the book, and the connections between these universes begin to be revealed.

Each chapter of Masks of Origin—a book of what perhaps can only be called “visionary” essays, by Brian George—reads like an individual novel. Divided into personal and universal experiences, each informs the other. Descriptions of events in childhood and adulthood provide a wormhole into the cosmos.

I opened Brian George’s physically beautiful Masks of Origin—adorned with three-and-a-fraction of his own electric geometric red-green gargoyles, to find myself “reading,” if one might call it that, the whole book nearly straight-through that day, and the next…

A paean to Albert Murray and his hybrid memoir/literary criticism masterpiece of 1971, South to a Very Old Place.

Fiction, films and search engines meet indigenous names and the chatter of jays; where does our attention wander when it strays on the dappled path?

Our bodies transform what we eat, and with our minds we re-create and transform culture. Here are some of the works that have gotten our attention recently and feel worth sharing.

Above all, Antoniou’s compressed, theatrical space could perhaps be read as a kind of ritual confrontation, in which the known and unknown, the diurnal and nocturnal, are forced to meet and mix on a stage that allows for no casual avoidance or escape.

Medb is a novel that draws the reader incrementally toward the mysteries of the human psyche, on its way touching on gender roles, the power of the occult, and the pathologization of difference. It’s a winding, inward journey that begins, fittingly, at …

The movie proves to be, rather than glitchy and fragmentary, a deliberate and careful unfolding of the more perplexing and realistic struggle ensnaring us in the contemporary world.

How to decipher Alejandro Jodorowsky’s symbolic film world? Here’s an introduction.

Jeremy Johnson, current president of the International Jean Gebser Society, long-time Gebser student, and accomplished expositor, presents a thoughtful look at a key – and difficult – idea, the nature of the integral structure of consciousness.

It is about the trials and tribulations of lovers who are set in a dismal, bleak universe—much like our current reality in NYC one could even argue. They are challenged to come to terms with each other and deal with various issues such as ego, conflicting decisions, and insecurities.

The Claypool Lennon Delirium masterfully tells the story of rocket scientist/ occultist Jack Parsons.

We warmly welcome Darrell Hester (Mythos Collective) and Zachary Feder to Metapsychosis. Zachary, a writer and interlocutor on our forum at Infinite Conversations, contacted Darrell after seeing one of YouTube videos. In this talk, they cover everything from the cultural and psychological significance of the film to the esoteric meaning of vibranium. This is their first talk—with more to come, we hope!

Floating from time period to time period amid spiritual and religious observances and contemporary soundscapes the drone remains consistently omnipresent, like the angel of death, hovering just out of reach yet connecting all things living and dead…

Kapuscinski’s intentions are early implied, to match Dawkins bite for bite and (as honestly) to demonstrate the irreconcilable gulf between intellectual reductionism and emotional religious dogmatism, each flailing towards fundamentalism in trying to flatten one another.

In his near-century of life, Murray confronted race by re-constructing American identity as omni-American—that out of many, we are one.

“We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They don’t care. We say we care but we do nothing. And nothing ever changes.” BBC documentary by Adam Curtis.

These two scholars collaborated for eight years constructing their unfunded, paradigm-shifting work. Their efforts are stunningly transdisciplinary. They involve theoretical and empirical findings in quantum physics, mathematical logic, philosophy, biology, psychology and consciousness research, often requiring leaps into the unknown.

This is a long title for such a little footnote I’ve made in my re-read of the mid-century book, Ever-Present Origin, a cultural philosophical tome by Jean Gebser. Gebser was a poet, and studied poetry. It was through his careful reading of R …