Metapsychosis #OnlyPoetry channel presents: A guided reading and discussion of Iraqi poet Badr Shakir Al-Sayyab’s poem, “The Rain Song,” with Jordan-based author Dona Abbadi. Dona guides us through a reading of one of the most belov …
It is about the trials and tribulations of lovers who are set in a dismal, bleak universe—much like our current reality in NYC one could even argue. They are challenged to come to terms with each other and deal with various issues such as ego, conflicting decisions, and insecurities.
Maybe in the future she’d embody the pure-feminine-ideal or something, but right now Suraj had to explain just who Judy was and why she killed herself…
“I wrote the meditations with the intention of translating the trauma of slavery to the page, and it did came out like an eco-graphic card; with no straight lines; no reservations.”
“Mothers should explain this to their daughters when they are too young…instead of folding church bulletins to make fans…”
the biggest secret: REPTILIANS! United States lizard government / help. Bloodlines). people think they know
When I remember Sue Castigliano, I think of almost naked dancers vaulting above the gold-tipped horns of Cretan bulls, to the sound of waves breaking in the distance. Wandering with the ghosts of an exploded island empire, I enter the doors of a library that I first thought was an octopus. When I think of her, I see wheat bound in sheaves…
blackbirds rise like a word from a hot hovel / satis house and her letter / and her first wedding gown / fires blank and face clocks / my hands / their spell / swelling the mouth of a match / the stone thrown into the sea and circulatio /
“It is said that when the student is ready the teacher will appear. Luckily, the teacher may also choose to appear when the student is not at all ready. She drags him, if need be kicking and screaming, into a new, more direct, but also more paradoxical relationship with the self…”
Are we meant to have certain experiences, or to connect with certain people rather than with others? The more romantic among us are used to thinking that there may be one true soul-mate for each person. It is less common to imagine that friends or teachers may also play their parts in this apparent drama of predestination.
I’m lost in space. Lost. As it turns out the poets were right, you can’t go back home again. The Venezuela that raised me doesn’t exist anymore, that much everybody knows, but the situation got so unendurable that I’m finally aware of my limits. As it turns out I’m not an indestructible machine but a leaf floating in the wind, directionless and at the mercy of the gods.
Hands of the dead here in my living hands / as I split stony squash with a crack of the blade, / scoop seeds, oil flesh for the fire—hands / of women and men in my hands, generations / repeating these gestures, the old pleasure…
Meet Sidney (aka the Sacred Scribe)—a PhD candidate in Physics with a problem in the paradoxical human realm of love. What does a love triangle look like in the fourth dimension? Quantum indeterminacy rules, as Sidney and her friends explore a bold new cosmology uniting Science and Spirituality, and Sidney’s “wave function” must decide between the primal magnetism of Bruno, her friendship with Alyzia, and the life of her mind and creative soul.
He was but a breath, a simple creation of some greater existence. Nothing implied, nothing necessary, nothing required. Just a breath. As was the face. And is the face. And always will be the face.
Did I dream it all? I guess I did. But then I see the card on the table. I pick it up. It feels real. TAKE THE ELEVATOR, it says. Did I?
These people in the church with him today have heard all those words over and over, they can’t really hear them any more. He remembers other words: If they do not listen to Moses and the Prophets, they will not be convinced even if someone rises from the dead.
A series of writing and conversations exploring the many layers, folds, complexities, and intensities of director Darren Aronofsky’s disturbing tale of home invasion: mother!
Packed with archetypal, mythological, and religious symbolism, Darren Aronofsky’s ‘mother!’ baffled audiences with its disturbing tale of home invasion…and world destruction. This essay unpacks some of the deeper layers of the film from the perspectives of religion and psychology, western esotericism, and comparative mythology.
The subject was discovered on a routine gravimetric exploration approximately one mile beneath the Earth’s surface in a small cavern rich in copper. Dwelling in complete darkness and surrounded by approximately 3500 urns of various shapes and sizes, the age of the subject remains indeterminate. Subsequent testing revealed the age of the urns to be approximately 500,000 years old.
What can films tell us about reality? In a deep-ranging dialogue drawing on the philosophical ideas of Martin Heidegger and looking at works by Terrence Malick, Wim Wenders, Stanley Kubrick, and other celebrated auteurs, two contemporary aesthetic thinkers reflect on the ways in which cinema brings us into a deeper, stranger relationship with the world, and our being in it.
Global transparency offers an unspoken invitation for us all to forge a new paradigm of personal integrity. The Internet, our own collective mirror, stands as a challenge for us to face ourselves for the first time fully in all our humanness.
We warmly welcome Darrell Hester (Mythos Collective) and Zachary Feder to Metapsychosis. Zachary, a writer and interlocutor on our forum at Infinite Conversations, contacted Darrell after seeing one of YouTube videos. In this talk, they cover everything from the cultural and psychological significance of the film to the esoteric meaning of vibranium. This is their first talk—with more to come, we hope!
This conversation series is concerned with how the monstrous, epic drama of our present-day reality is animated by subtle winds of power. We will explore creative strategies and discuss critical issues relating to developing our embodied consciousness as individuals/collectives—while cultivating more effectual ways to wield our often invisible yet immanent power.
This essay series aims to penetrate to the roots of power and the shaping of material conditions through memes and through minds. I also discuss what is happening to us on individual and collective psychological levels, as we are forced to confront and grapple with certain popular myths about ourselves, our nation, and our global civilization.
We are always living in a story, always present in a myth. The key is to possess mindfulness towards worldviews and their presence in the awakened self—they are analytical frameworks of the mind that first allow the universe to be experienced in a specific manner and then formulated into pure, specific “understandings” about the nature of that universe.
The more deeply I’ve looked into heavy metal music and its use of imagery from the Book of Revelation, the more I discovered a very remarkable thing—that heavy metal music is doing the Book of Revelation. In its style, in its values, in its ethos, heavy metal is doing the Book of Revelation in musical form.
Floating from time period to time period amid spiritual and religious observances and contemporary soundscapes the drone remains consistently omnipresent, like the angel of death, hovering just out of reach yet connecting all things living and dead…
Chess is two wills locked not only in combat but also in cooperation. Players must together create the conditions allowing one to emerge triumphant—or not.
Since the end of the Paleolithic Era, it is possible that we have been riding a long curve of descent, in which all things once transparent have become more and more opaque.
In his near-century of life, Murray confronted race by re-constructing American identity as omni-American—that out of many, we are one.