Category: Featured

That room is gone. Or rather, the room is still there, but what’s in it now is so different from what was in it before that the room itself seems transformed. It holds a vast model of the world we live in, built to scale and rendered in exquisite detail…

Following him into the darkest places taught me to never be afraid of the dark. / It’s full of unimaginable euphoric surprises…

The movie proves to be, rather than glitchy and fragmentary, a deliberate and careful unfolding of the more perplexing and realistic struggle ensnaring us in the contemporary world.

What was Harold Bloom? I don’t know, but here is my answer for now.

“I must return love and life to those who offered me death / Gestating with hundreds and thousands of babies in me: / Progeny of my intercourse with the rock.”

An introduction to Brigid’s new podcast CHTHONIA with a discussion of the relevance of dark feminine mythology for modern times.

Jeremy Johnson, current president of the International Jean Gebser Society, long-time Gebser student, and accomplished expositor, presents a thoughtful look at a key – and difficult – idea, the nature of the integral structure of consciousness.

Note: The following takes place between October 2018 and January 2019. I’m not in control. I’m trusting the currents to guide my ship to safe ports, trusting the process, letting go. I’m learning along the way. The biggest lesson so far has been how to …

I look for my White Lily, but it’s gone. When I look up again, the girl, too, is gone. I’m on my own again. I wonder if I imagined her. Or maybe she imagined me, and I’m the one who’s gone.

Metapsychosis #OnlyPoetry channel presents: A guided reading and discussion of Iraqi poet Badr Shakir Al-Sayyab’s poem, “The Rain Song,” with Jordan-based author Dona Abbadi. Dona guides us through a reading of one of the most belov …

It is about the trials and tribulations of lovers who are set in a dismal, bleak universe—much like our current reality in NYC one could even argue. They are challenged to come to terms with each other and deal with various issues such as ego, conflicting decisions, and insecurities.

Maybe in the future she’d embody the pure-feminine-ideal or something, but right now Suraj had to explain just who Judy was and why she killed herself…

“Mothers should explain this to their daughters when they are too young…instead of folding church bulletins to make fans…”

the biggest secret: REPTILIANS! United States lizard government / help. Bloodlines). people think they know

When I remember Sue Castigliano, I think of almost naked dancers vaulting above the gold-tipped horns of Cretan bulls, to the sound of waves breaking in the distance. Wandering with the ghosts of an exploded island empire, I enter the doors of a library that I first thought was an octopus. When I think of her, I see wheat bound in sheaves…

blackbirds rise like a word from a hot hovel / satis house and her letter / and her first wedding gown / fires blank and face clocks / my hands / their spell / swelling the mouth of a match / the stone thrown into the sea and circulatio /

“It is said that when the student is ready the teacher will appear. Luckily, the teacher may also choose to appear when the student is not at all ready. She drags him, if need be kicking and screaming, into a new, more direct, but also more paradoxical relationship with the self…”

Are we meant to have certain experiences, or to connect with certain people rather than with others? The more romantic among us are used to thinking that there may be one true soul-mate for each person. It is less common to imagine that friends or teachers may also play their parts in this apparent drama of predestination.

I’m lost in space. Lost. As it turns out the poets were right, you can’t go back home again. The Venezuela that raised me doesn’t exist anymore, that much everybody knows, but the situation got so unendurable that I’m finally aware of my limits. As it turns out I’m not an indestructible machine but a leaf floating in the wind, directionless and at the mercy of the gods.

Hands of the dead here in my living hands / as I split stony squash with a crack of the blade, / scoop seeds, oil flesh for the fire—hands / of women and men in my hands, generations / repeating these gestures, the old pleasure…

Meet Sidney (aka the Sacred Scribe)—a PhD candidate in Physics with a problem in the paradoxical human realm of love. What does a love triangle look like in the fourth dimension? Quantum indeterminacy rules, as Sidney and her friends explore a bold new cosmology uniting Science and Spirituality, and Sidney’s “wave function” must decide between the primal magnetism of Bruno, her friendship with Alyzia, and the life of her mind and creative soul.

He was but a breath, a simple creation of some greater existence. Nothing implied, nothing necessary, nothing required. Just a breath. As was the face. And is the face. And always will be the face.

Did I dream it all? I guess I did. But then I see the card on the table. I pick it up. It feels real. TAKE THE ELEVATOR, it says. Did I?

These people in the church with him today have heard all those words over and over, they can’t really hear them any more. He remembers other words: If they do not listen to Moses and the Prophets, they will not be convinced even if someone rises from the dead.

A series of writing and conversations exploring the many layers, folds, complexities, and intensities of director Darren Aronofsky’s disturbing tale of home invasion: mother!

Packed with archetypal, mythological, and religious symbolism, Darren Aronofsky’s ‘mother!’ baffled audiences with its disturbing tale of home invasion…and world destruction. This essay unpacks some of the deeper layers of the film from the perspectives of religion and psychology, western esotericism, and comparative mythology.

The subject was discovered on a routine gravimetric exploration approximately one mile beneath the Earth’s surface in a small cavern rich in copper. Dwelling in complete darkness and surrounded by approximately 3500 urns of various shapes and sizes, the age of the subject remains indeterminate. Subsequent testing revealed the age of the urns to be approximately 500,000 years old.

What can films tell us about reality? In a deep-ranging dialogue drawing on the philosophical ideas of Martin Heidegger and looking at works by Terrence Malick, Wim Wenders, Stanley Kubrick, and other celebrated auteurs, two contemporary aesthetic thinkers reflect on the ways in which cinema brings us into a deeper, stranger relationship with the world, and our being in it.