Category: Culture (Transformation)

To continue a policy of escape, retreat and regression is mutually assured destruction. We need to face, and learn from, our difficulties.

This essay series aims to penetrate to the roots of power and the shaping of material conditions through memes and through minds. I also discuss what is happening to us on individual and collective psychological levels, as we are forced to confront and grapple with certain popular myths about ourselves, our nation, and our global civilization.

We are always living in a story, always present in a myth. The key is to possess mindfulness towards worldviews and their presence in the awakened self—they are analytical frameworks of the mind that first allow the universe to be experienced in a specific manner and then formulated into pure, specific “understandings” about the nature of that universe.

The more deeply I’ve looked into heavy metal music and its use of imagery from the Book of Revelation, the more I discovered a very remarkable thing—that heavy metal music is doing the Book of Revelation. In its style, in its values, in its ethos, heavy metal is doing the Book of Revelation in musical form.

Floating from time period to time period amid spiritual and religious observances and contemporary soundscapes the drone remains consistently omnipresent, like the angel of death, hovering just out of reach yet connecting all things living and dead…

Chess is two wills locked not only in combat but also in cooperation. Players must together create the conditions allowing one to emerge triumphant—or not.

In his near-century of life, Murray confronted race by re-constructing American identity as omni-American—that out of many, we are one.

“We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They don’t care. We say we care but we do nothing. And nothing ever changes.” BBC documentary by Adam Curtis.

In Western culture what is “feminine” has become associated over time with what is evil or immoral… This frightening view of the collective, akin to the archetype of the Terrible Mother, is what drives a lot of the global political and social narrative.

If new myths are born, re-tethered to something sacred, they must be brutally immediate, possessing unavoidable gravity, poignant, fragile, they must be anything but contrived, planned, and developed with the intention of bringing us the sacred. (She does not come to us on a platter. More likely, the platter will have your beating heart on it.)

Most of us have, in some form or another, if not a philosophy of time, at least a mythos of time.

“It would be hard to communicate to someone growing up today just how widespread was the fallout from the threat of the Atomic Bomb. From July 16th, 1945, when the first bomb was tested over the Jornada del Muerto Desert, its occult light had continued to throw shadows from each object. The danger was not abstract; it was imminent, and it changed our whole way of looking at the world.”

Dunbar proposed the limit of meaningful friendships is “150”—a far cry from our Facebook and Instagram network connections—but maybe it’s more complicated than that.

But the dark truth conveyed in the character of Barb finds its counterbalance in the incredible creative power that Stranger Things attributes to the Cosmic Child, a power which is also present in each of us.

Beneath the conceptual overlay, reality remains what it is: not an orderly network of humanly comestible ideas, but a turbid, ever-changing, symphonic, indefinable process of becoming that is accountable to neither the predilections of reason nor the strictures of logical grammar.

The show remains open, ambiguous to the end, and it is this quality that raises it above the normal run of generic entertainment to make of it something that defies genre, something genuinely weird.

This mix is all about the acclaimed Netflix series Stranger Things, and features J.F. Martel’s essay REALITY IS ANALOG, Phip plus the inaugural episode of Jeremy Johnson’s Electric Symposium podcast. Enjoy!

“In their re-imagination of the Ellison/Baraka opposition, direct challenges alternate with playful taunts. These exchanges have the energy of a competition but the warmth and generosity of a collaboration.”

This notion about our origins is the essential idea with which psychoanalysis grapples. Thought of in this way, psychoanalysis is nothing other than the meta-theorization of occult ideas.

We are the robots. Or rather, we are like people who allow their servants to do everything for them, and subsequently feel they have lost touch with life, but don’t know exactly why.

I felt it fitting to choose to stay at home alone and “rent” the movie right away. As the pixels on my laptop flickered with Herzog’s visions, I reveled in the juxtaposition of my solitude while consuming this film whose subtitle espouses connection….

“In a comment on my essay “The Vanguard of a Perpetual Revolution,” Okantomi wrote, “I often feel like I can see what is happening in the world, as well as what is just about to happen, and what will almost certainly happen later on, and it’s like no one else sees what I am seeing. It’s eerie, shocking, and finally depressing.”

When Gary contacted me about my biographical work on the German poet and Kulturphilosoph, Jean Gebser, I naturally took the opportunity to explore his work.

I came to see in Green Eggs and Ham a very sophisticated theology of incarnational nondual spirituality.

What comes after Facebook? How can we reimagine our social networks for a planetary digital democracy of the future?