“Sex and God or sex and death.” I repeated his phrase, feeling a slight slur in my speech brought on by the beer on an empty stomach. “Is that all there is?”
Category: Society (Multitudes)
I was jealous of Pedro’s imaginary lovers and of his vaster sexual experience. Short poems, long poems, quirky poems, I read them in secret when he was out. I didn’t understand them. Poem after poem, sounding much alike, revealed the charms of some new image of his desire, even as he prayed for some kind of deliverance from his too, too solid flesh…
I felt that many kinds of patterns, of ancient origins, had been stamped onto our writhing, wrestling, male flesh, and that we had entered this forbidden zone many times before…
So, what does it mean for the Apocalypse to take place in the present moment, and, somewhat paradoxically, to be always just about to occur?
The movie proves to be, rather than glitchy and fragmentary, a deliberate and careful unfolding of the more perplexing and realistic struggle ensnaring us in the contemporary world.
An introduction to Brigid’s new podcast CHTHONIA with a discussion of the relevance of dark feminine mythology for modern times.
Note: The following takes place between October 2018 and January 2019. I’m not in control. I’m trusting the currents to guide my ship to safe ports, trusting the process, letting go. I’m learning along the way. The biggest lesson so far has been how to …
It is about the trials and tribulations of lovers who are set in a dismal, bleak universe—much like our current reality in NYC one could even argue. They are challenged to come to terms with each other and deal with various issues such as ego, conflicting decisions, and insecurities.
“I wrote the meditations with the intention of translating the trauma of slavery to the page, and it did came out like an eco-graphic card; with no straight lines; no reservations.”
the biggest secret: REPTILIANS! United States lizard government / help. Bloodlines). people think they know
I’m lost in space. Lost. As it turns out the poets were right, you can’t go back home again. The Venezuela that raised me doesn’t exist anymore, that much everybody knows, but the situation got so unendurable that I’m finally aware of my limits. As it turns out I’m not an indestructible machine but a leaf floating in the wind, directionless and at the mercy of the gods.
disparate minds meet to discuss Darren Aronfsky’s feature film, mother! with: brigid burke, mark jabbour, marco v morelli, natalia anthony
disparate minds meet to discuss Darren Aronfsky’s feature film, mother! with: jf martel, caroline savery, john davis, geoffrey edwards, and marco v morelli
Packed with archetypal, mythological, and religious symbolism, Darren Aronofsky’s ‘mother!’ baffled audiences with its disturbing tale of home invasion…and world destruction. This essay unpacks some of the deeper layers of the film from the perspectives of religion and psychology, western esotericism, and comparative mythology.
Our reading group on Gao Xingjian’s novel Soul Mountain begins a with a preliminary talk about his Nobel Prize acceptance essay, “The Case for Literature.”
Global transparency offers an unspoken invitation for us all to forge a new paradigm of personal integrity. The Internet, our own collective mirror, stands as a challenge for us to face ourselves for the first time fully in all our humanness.
We warmly welcome Darrell Hester (Mythos Collective) and Zachary Feder to Metapsychosis. Zachary, a writer and interlocutor on our forum at Infinite Conversations, contacted Darrell after seeing one of YouTube videos. In this talk, they cover everything from the cultural and psychological significance of the film to the esoteric meaning of vibranium. This is their first talk—with more to come, we hope!
#4 of 6 live conversations on Peter Sloterdijk’s GLOBES: Chs. 5-6 — Readers Underground
#3 of 6 conversations on Peter Sloterdijk’s GLOBES. Chs. 3 – 4
#2 of 6 live conversations on Peter Sloterdijk’s GLOBES: Chs. 1-2
#1 of 6 live conversations on Peter Sloterdijk’s GLOBES: Prologue, Introduction, and other preliminary texts
It is time to face facts. Capitalism is the root of all our problems, and yet the path out of capital is more uncertain than it has ever been. The dream of Pierre Teilhard de Chardin, of a globalized online consciousness unifying the mental sphere into a higher state of being, has been rendered excessively naive….
We are powerful enough to burst through the artificial narrative-bubble of projections of power-over, and step together into the brisk air of the real world in all its complexity—painful, wonderful, multiplicitous. If, in that fine first inhalation of fresh air, we take in a deep moment of peace, we may hear the aspirations of all living things…
We need mass subversion—simple non-cooperation and defection to favorable alternatives. This can look like “opting in” to visions of humanity that you do prefer, the futures you would like to inhabit, by investing your diverse capital in alternative ways.
Perhaps there is a common ground for humankind that runs deeper than the machinations of a “power-over” mythology. Let us envision a more optimal design that meets more needs through respecting life’s innate capacity for intelligence and beauty.
Our human desires and emotions are oftentimes the “hooks” that memes use to attach to us. Once a meme has colonized us, it can profoundly guide our actions in the world. Therefore, we need to develop discernment to parse the beneficial memes from the malicious ones.
The power Trump commands is given by us—our attention, our deference, our minds, hearts, lives. In little ways, we can retake control of how and to what purposes we deploy our minds and spirits.
The common myths and meaning on which the U.S. was founded are breaking down, strained by the gnashing confrontation of incompatible, co-occurring narratives. This is long overdue and much needed. Yet powerful interests are trying to seize this shaky moment by trumpeting archaic, toxic narratives that reinforce and advance oppressive agendas in society.
This conversation series is concerned with how the monstrous, epic drama of our present-day reality is animated by subtle winds of power. We will explore creative strategies and discuss critical issues relating to developing our embodied consciousness as individuals/collectives—while cultivating more effectual ways to wield our often invisible yet immanent power.
To continue a policy of escape, retreat and regression is mutually assured destruction. We need to face, and learn from, our difficulties.