With his first book recently published, essayist, poet, and artist Brian George reflects on the bizarre and often humorous ways that great works of the past were received by their contemporary critics, and how changes in the cultural landscape over the last few centuries—but especially since his coming of age in the Boston poetry and punk scenes of the late 1970s—have profoundly altered the ways we read, receive, and understand new works.
“Think outside the box,” they say. What if your box is doing the thinking? Where does your thinking end and your box begin? How many boxes does it take to screw in a light bulb? The answer may surprise you.