The more deeply I’ve looked into heavy metal music and its use of imagery from the Book of Revelation, the more I discovered a very remarkable thing—that heavy metal music is doing the Book of Revelation. In its style, in its values, in its ethos, heavy metal is doing the Book of Revelation in musical form.
Floating from time period to time period amid spiritual and religious observances and contemporary soundscapes the drone remains consistently omnipresent, like the angel of death, hovering just out of reach yet connecting all things living and dead…
Kapuscinski’s intentions are early implied, to match Dawkins bite for bite and (as honestly) to demonstrate the irreconcilable gulf between intellectual reductionism and emotional religious dogmatism, each flailing towards fundamentalism in trying to flatten one another.
He stood upon an old skull, and he crushed it under his dark heel. A snake was inside it, and its blood seeped into the ground. He stood in the crater where Gods went to die, the valley without light where a bloated Leviathan would rest upon the ground, and spears piercing its belly beneath dark clouds, the sun would turn away in time for it to rot and die. In its carcass, in its open bones a new God would form, a new rotten Beast to occupy the holy Throne….
“Saturn is for dense souls with shallow histories.” We will build our grave here on earth. Is it grave? Our bodies reduced to the skeleton of gluttony and the like. Or a marker where our former bondage and body lies? This is a result of the flesh we build in action, substance and sustenance.