Brigid Burke

I have been an Assistant Editor here at Metapsychosis for a few years now, and on this site I have published a couple of essays, offered one class on underworld mythology, and also currently produce the bi-weekly Chthonia podcast, which focuses on dark …

they call it soul retrieval | when your essence | core | beingness | the skeletal|hole|body|brain that lives in your gut|liver|kidney|body| self|shatters | breaks its own skull|heart|body in its crumpled raisin|brain as the result of small t | BIG T | sOmE TyPe of tRaUmA

Whether I chose to feel my emotions fully, or experience the depth of them — that wasn’t up to me. That was up to God, or Satan, or whatever it was that controlled me.

That room is gone. Or rather, the room is still there, but what’s in it now is so different from what was in it before that the room itself seems transformed. It holds a vast model of the world we live in, built to scale and rendered in exquisite detail…

The movie proves to be, rather than glitchy and fragmentary, a deliberate and careful unfolding of the more perplexing and realistic struggle ensnaring us in the contemporary world.

It is about the trials and tribulations of lovers who are set in a dismal, bleak universe—much like our current reality in NYC one could even argue. They are challenged to come to terms with each other and deal with various issues such as ego, conflicting decisions, and insecurities.

“Mothers should explain this to their daughters when they are too young…instead of folding church bulletins to make fans…”

blackbirds rise like a word from a hot hovel / satis house and her letter / and her first wedding gown / fires blank and face clocks / my hands / their spell / swelling the mouth of a match / the stone thrown into the sea and circulatio /

Did I dream it all? I guess I did. But then I see the card on the table. I pick it up. It feels real. TAKE THE ELEVATOR, it says. Did I?

These people in the church with him today have heard all those words over and over, they can’t really hear them any more. He remembers other words: If they do not listen to Moses and the Prophets, they will not be convinced even if someone rises from the dead.

Packed with archetypal, mythological, and religious symbolism, Darren Aronofsky’s ‘mother!’ baffled audiences with its disturbing tale of home invasion…and world destruction. This essay unpacks some of the deeper layers of the film from the perspectives of religion and psychology, western esotericism, and comparative mythology.

The entire purpose of this work will not so much argue but re-imagine and challenge Plato, such that it breathes the warmest breath of reconsideration, rereading, and re-admiration into the Platonic dialogues.