#4 of 5 live conversations on Peter Sloterdijk’s GLOBES: Chs. 5-6
Category: Philosophy (Eteolegeme)
#3 of 5 conversations on Peter Sloterdijk’s GLOBES. Chs. 3 – 4
#2 of 5 live conversations on Peter Sloterdijk’s GLOBES: Chs. 1-2
#1 of 5 live conversations on Peter Sloterdijk’s GLOBES: Prologue, Introduction, and other preliminary texts
We are always living in a story, always present in a myth. The key is to possess mindfulness towards worldviews and their presence in the awakened self—they are analytical frameworks of the mind that first allow the universe to be experienced in a specific manner and then formulated into pure, specific “understandings” about the nature of that universe.
This metanarrative that has been constructed to explore a possible Platonic worldview is enough of the whole to make a holographic, fractal revival of Plato himself inside his mythopoetic mind.
The strength and sincerity at which each of the Greeks in the Symposium pursues his or her own experiences towards a lived philosophy of love is inspirational for a culture of Self, some of the original self-believers.
From the first creation event of Timaeus that heralds a universe (the one and only) into the perceptible in giving a reality, this perfection persists into Plato’s Republic, a world of its own that deals with society and its paradigms in the social creature called humanity and its just longings.
From [this] indivisible awareness, the mystic sage is fully able to tap into the eternal mind of god, something that would smooth out a translation in terms of human consciousness—and that would give the creative impetus to imagine a text like Timaeus.
The entire purpose of this work will not so much argue but re-imagine and challenge Plato, such that it breathes the warmest breath of reconsideration, rereading, and re-admiration into the Platonic dialogues.
The more deeply I’ve looked into heavy metal music and its use of imagery from the Book of Revelation, the more I discovered a very remarkable thing—that heavy metal music is doing the Book of Revelation. In its style, in its values, in its ethos, heavy metal is doing the Book of Revelation in musical form.
#9 of 9 live conversations on Peter Sloterdijk’s Bubbles. Topics: Ch. 8, “Closer to Me Than I Am Myself – A Theological Preparation for the Theory of the Shared Inside,” Excursus 10: Matris in gremio – A Mariological Cricket,” and “Transition: On Ecstatic Immanence,” pps. 539–632.
#8 of 9 live conversations on Peter Sloterdijk’s Bubbles. Topics: Ch. 7, “The Siren Stage – On the First Sonsospheric Alliance,” as well as Excursus 8, “Illiterate Truths – A Note on Oral Fundamentalisms” and Excursus 9, “Where Lacan Starts to Go Wrong,” pps. 477–538.
Floating from time period to time period amid spiritual and religious observances and contemporary soundscapes the drone remains consistently omnipresent, like the angel of death, hovering just out of reach yet connecting all things living and dead…
#7 of 9 live conversations on Peter Sloterdijk’s Bubbles. Topics: Ch. 6: “Soul Partitions – Angels—Twins—Doubles,” as well as Excursus 6: “Spheric Mourning – On Nobject Loss and the Difficulty of Saying What Is Missing” and Excursus 7: “On the Difference Between and Idiot and an Angel,” pps. 413-476.
Kapuscinski’s intentions are early implied, to match Dawkins bite for bite and (as honestly) to demonstrate the irreconcilable gulf between intellectual reductionism and emotional religious dogmatism, each flailing towards fundamentalism in trying to flatten one another.
#6 of 9 live conversations on Peter Sloterdijk’s Bubbles. Topics: Ch. 5, “The Primal Companion – Requiem for Discarded Organ” as well as “Excursus 5: The Black Plantation – A Note on Trees of Life and Enlivement Machines,” pages 343–412
#5 of 9 live conversations on Peter Sloterdijk’s Bubbles. Topics: Ch. 4, “The Retreat Within the Mother: Groundwork for a Negative Gynecology,” along with the following Excursi, pps. 269–342
#4 of 9 live conversations on Peter Sloterdijk’s Bubbles. Topics: Ch. 3, “Humans in the Magic Circle: On the Intellectual History of the Fascination with Closeness,” and Excursus 1, “Thought Transmission,” pps. 207–268.
Chess is two wills locked not only in combat but also in cooperation. Players must together create the conditions allowing one to emerge triumphant—or not.
#3 of 9 live conversations on Peter Sloterdijk’s Bubbles. Topics: Ch. 2, “Between Faces: On the Appearance of the Interfacial Intimate Sphere,” pps. 139–206.
#2 of 9 live conversations on Peter Sloterdijk’s Bubbles. Topics: Preliminary Reflections and ch. 1, “Heart Operation; Or, On the Eucharistic Excess,” pps. 83–138.
#1 of 9 live conversations on Peter Sloterdijk’s Bubbles. Topics: Preliminary Note and Introduction, pps. 9–81.
If new myths are born, re-tethered to something sacred, they must be brutally immediate, possessing unavoidable gravity, poignant, fragile, they must be anything but contrived, planned, and developed with the intention of bringing us the sacred. (She does not come to us on a platter. More likely, the platter will have your beating heart on it.)
Most of us have, in some form or another, if not a philosophy of time, at least a mythos of time.
I spoke with Conner Habib about his new course, “Banishing the World: Postmodern Philosophy and the Occult,” and learned about the surprising ways in which the most interesting and sophisticated philosophies coming out of humanities converge precisely with occult ideas.
The power of imagination, “vis imaginativa,” provides the link between a philosophy of magic and psychoanalysis.
There was a time once when poets Sitting on cracked marble urns Invoked the muses; Or when the angel whispered Into Matthew’s ear The tale of a man Who came to earth as a god….
But the dark truth conveyed in the character of Barb finds its counterbalance in the incredible creative power that Stranger Things attributes to the Cosmic Child, a power which is also present in each of us.
Beneath the conceptual overlay, reality remains what it is: not an orderly network of humanly comestible ideas, but a turbid, ever-changing, symphonic, indefinable process of becoming that is accountable to neither the predilections of reason nor the strictures of logical grammar.